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Z29v $=8قz^Gz 7W%گpɫxyH!^rN0v5遧ƩbUUgrQ.KoyԙmMdSoJE-vRp7‹TZ7( et:IQjXEBh`,/2BK$a\nnS-s\7BF#v6JՄvD~9D(ԽY7߯*̵@DN?2$]k-Z89&l?:4q@ʾ槔y]S1>"E0Q[4P[fCـoI2fpAM^].`%|PW]͸Ad򘈫ɱ]vEZ?2 w9/|9b>YZb6h]}`8~i+RwlyچBDWT`U=޲N"~dJ9.!J]J3J|Q.wķ'ӕzy¬k@9&B4#hp̀uNX[$K꣈zXhV7Ġ*1$\@8s2xѲ᠂ٯ0] g-Kp*d\HX4yNѧe'mYEP 6W/J٬V^Z8]Ӎl|+صa` GO(K>ŀP7*,Udyg*4@DQ8CBl'>%o{2wґTBi5B)Ѭ;!x6V(u9SAt;G WG\n09TK:U!rŦ^Xc086%[Q=&0u$Ո2>7m}}+XEx\dA r!*]l : k:Rb"nێ*FJLӁ玍=bAny @H~Jgü"u6VG?rUPK绻#:5BVx2}#ܶ-^\*;zOYՊז%ӻ:oyQU*[&չ\ƶ66_+c :=CUb(_'2Ym0Ns~_Dt7Z8L {l@etwxhu݋ )" =9[;ݽ|`/b]O.rDAYQsV#ݒ/tl)SE@qRRʡl%CDwGc˜#Df, jk4l$=&DrC366c;Vt^A,ǚl,GUA-֌jk͕᫂-6fO`H9za DFU2vt[1JVԝ=L0WT6!4^ w͓`r^~}" _d|jJ~w9jNVމz%a#S%D"5MPD ߱\UX wr~i&)OZIJL B nd܍ByeK Bk endstream endobj 17 0 obj << /Type /StructElem /S /Part /P 8 0 R /Pg 7 0 R /K [18 0 R 19 0 R 20 0 R 21 0 R 22 0 R 23 0 R 24 0 R 25 0 R 26 0 R 27 0 R 28 0 R 29 0 R 30 0 R 31 0 R] >> endobj 18 0 obj << /Type /StructElem /S /Figure /P 17 0 R /Pg 7 0 R /K [10] >> endobj 19 0 obj << /Type /StructElem /S /H1 /T (ICS SEMINAR SERIES 2024) /E (ICS SEMINAR SERIES 2024) /Pg 7 0 R /K [0] >> endobj 20 0 obj << /Type /StructElem /S /H2 /T (Doing Kalavata: The Materiality of Fijian Collectivity) /E (Doing Kalavata: The Materiality of Fijian Collectivity) /Pg 7 0 R /K [1] >> endobj 21 0 obj << /Type /StructElem /S /P /E (17 October 2024 | 11:30am - 1:00pm) /Pg 7 0 R /K [2] >> endobj 22 0 obj << /Type /StructElem /S /P /E (Room: EZ.G.22 Parramatta South Campus ) /Pg 7 0 R /K [3] >> endobj 23 0 obj << /Type /StructElem /S /H3 /T (Abstract) /E (Abstract) /Pg 7 0 R /K [5] >> endobj 24 0 obj << /Type /StructElem /S /Figure /P 17 0 R /Pg 7 0 R /K [11] >> endobj 25 0 obj << /Type /StructElem /S /H4 /T (Clothing is often understood as the surface through which social identities are formed and maintained. In countries such as Fiji the practice of doing kalavata, or wearing shared patterns and colours, represents one of the key examples of expressions of unity and community especially in indigenous \(iTaukei\) families and villages. This paper examines the expanded practice and performance of doing kalavata amongst the diverse communities that live and work in urban Fiji. Connecting the materiality of clothing and fabric to globalisation and urbanisation, the paper will highlight the complex ways in which individual style and fit are being expressed within a broader system of communal aesthetics. I conclude by reflecting upon the role that doing kalavata plays in the collective imagination of being Fijian.) /E (Clothing is often understood as the surface through which social identities are formed and maintained. In countries such as Fiji the practice of doing kalavata, or wearing shared patterns and colours, represents one of the key examples of expressions of unity and community especially in indigenous \(iTaukei\) families and villages. This paper examines the expanded practice and performance of doing kalavata amongst the diverse communities that live and work in urban Fiji. Connecting the materiality of clothing and fabric to globalisation and urbanisation, the paper will highlight the complex ways in which individual style and fit are being expressed within a broader system of communal aesthetics. I conclude by reflecting upon the role that doing kalavata plays in the collective imagination of being Fijian.) /Pg 7 0 R /K [9] >> endobj 26 0 obj << /Type /StructElem /S /H3 /T (Biography) /E (Biography) /Pg 7 0 R /K [6] >> endobj 27 0 obj << /Type /StructElem /S /H6 /T (Heather A. Horst is an anthropologist who examines contemporary social and cultural changes related to digital media, technology, and material culture and the Director of the Institute for Culture and Society at 91ԭƬ. Her publications include The Cell Phone: An Anthropology of Communication; Hanging Around, Messing Around and Geeking Out: Kids Living and Learning with New Media; Digital Anthropology; Digital Ethnography: Principles and Practices; The Moral Economy of Mobile Phones: Pacific Island Perspectives; and Digital Media Practices in Households. She has also produced two documentaries on smartphone use in Fiji and Papua New Guinea and is currently collaborating to produce a film about the Fijian fashion industry to be released in 2025.) /E (Heather A. Horst is an anthropologist who examines contemporary social and cultural changes related to digital media, technology, and material culture and the Director of the Institute for Culture and Society at 91ԭƬ. Her publications include The Cell Phone: An Anthropology of Communication; Hanging Around, Messing Around and Geeking Out: Kids Living and Learning with New Media; Digital Anthropology; Digital Ethnography: Principles and Practices; The Moral Economy of Mobile Phones: Pacific Island Perspectives; and Digital Media Practices in Households. 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